EVA CHIARA TREVISAN 

Trevisan is currently working on the challenge of removing the support from paint, by making it become the sole protagonist of the work, thanks to the study of an extreme use of colour.
The purpose of disengaging from the technicality of the support is to turn the colour itself into the support of the work. This is possible through the method of stratification, where the layers of colour are laid one upon the other until it deposits, becoming a compact and material sheet.

The composition is also enriched by the signs left in the atelier from the previous works. Here the artist uses nylon panels as a work surface, from which the “sheets” of colour are later removed. The traces of the previous works are still present on the nylon, becoming incorporated and carried over in the new artwork.

For D Contemporary, curator Raffaella Matrone will present a selection of Eva Chiara Trevisan’s pre-existent works, alongside several newly produced ones. The exhibition aims to be the first London and UK showcase of the artist